Life Is Good Free Album Download

Biography

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Nasir Jones, performing under the pseudonym Nas, was born in Brooklyn in 1973. He has been familiar with the music since the very childhood: his father is a famous jazz musician Olu Dara. Nasir played the trumpet when he was only four and he started to rhyme at age nine. In the late 1970s Nasir’s family moved to Queens, and Nas became interested in hip-hop due to his friend and neighbor Willy 'Ill Will' Graham, who played him different records. In 1985 Nasir’s parents divorced and he quitted the middle school. However, he did not stop learning: he read a lot about the African culture and he paid a lot of attention to religion.

As a teenager, Nas performed with his friend Willy Graham, and at that time the rapper used the pseudonym Kid Wave. He changed it into more familiar Nas later. Due to the show of 1991, Nasir managed to get the reputation of a wonder kid, so the next year MC Serch from 3rd Bass became his manager and helped him to sign the contract with Columbia Records. Nas’ debut single Halftime was released in 1992, and his lyrics and rhymes attracted attention in the hip-hop community. Nas was even entitled new Rakim.

The rapper’s debut album Illmatic was released in 1994 and it is considered to be one of the best hip-hop albums ever. The Source gave a fair review to the record, which had been created with the help of Q-Tip, L.E.S and Nasir’s father Olu Dara. Musical critics acclaimed Illmatic, and the lyrics was described as highly literate. Indeed, in his songs Nas talks about serious things, nevertheless the despair is not the key word: there is always hope for the best. In 1994 Nas performed the song One on One, which was included into Street Fighter soundtrack. That year the musician also participated in the creation of Mobb Deep, AZ и Kool G Rap albums. In 1994 Nas’ ex-fiancée gave birth to their daughter, who was named Destiny.

Nas’ second album It Was Written was released in 1996. Due to the new sound and such songs as If I Ruled the World (Imagine That) and Street Dreams Nas became a part of the mainstream hip-hop. About this time Nas, AZ, Foxy Brown and Cormega organized the super-band The Firm. They signed the contract with Dr. Dre’s label Aftermath Entertainment and started working on their debut album. Later Cormega quitted the band, and his place was taken by Nature. In 1997 the record titled Nas, Foxy Brown, AZ, and Nature Present The Firm: The Album was issued. That album was certified platinum, however the musicians decided to split and to work on their solo projects. In 1998 Nas co-wrote and starred in the movie Belly, directed by Harold Williams. A year later the musician released his album I Am... The Autobiography (1999), with every track describing some part of his life. By 2001 Nas and Jay-Z had an intense relationship, and everybody found out about their feud after the songs, in which both rappers mocked each other. Jay-Z’s Takeover was replied with Nas’ song Ether, which was later included into his album Stillmatic (2001). The conflict was settled by 2005, and rappers even performed on one stage with Jay-Z’s song Dead Presidents, sampled from Nas’ composition The World Is Yours. In 2005 Nasir married rhythm and blues singer Kelis. On April, 2009 Kelis filed for divorce, and on July she gave birth to their son, Knight.

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The musician’s new record Distant Relatives was released in 2010, only two years after the album Untitled (2008). Distant Relatives already attracted a lot of attention: the famous rapper recorded it with Damian Marley, who is hardly less famous. The mix of their lyrics and their music is twice more interesting. Reggae gives some new shades, richening the hip-hop beats. The quality of the text is traditionally high, due to the collaboration of two professionals. There is no doubt that the new sound will be enjoyed both by reggae and hip-hop music lovers.

Studio Albums

Life Is Good
Album number ten by Nas is an ultimate success. This is a blend of professionalism and experience, confidence and honesty with oneself and the audience. Nas has once again did everything the best way
[untitled]
The untitled album by rapper Nas initially was called N****r, for it presents Nasэ deep study of the term from the point of view of sociology, history and jurisdiction
Hip Hop Is Dead
Take it easy, Hip Hop is not dead and will never be while there is Nas on this planet. Despite its discouraging title a new album from Nas Hip Hop Is Dead seems to breathe some new life giving forces in the entire rap culture
13

Compilation albums

1
Life Is Good
Studio album by
ReleasedJuly 13, 2012
Studio
  • 4220, Hollywood, CA
  • Conway, Hollywood, CA
  • EastWest, Hollywood, CA
  • Instrument Zoo, Miami, FL
  • Jungle City, New York City, NY
  • Oven, New York City, NY
GenreHip hop
Length58:12
LabelDef Jam
Producer
  • Anthony Saleh (exec.)
  • Nas (exec.)
  • DJ Hot Day
Nas chronology
Distant Relatives
(2010)		Life Is Good
(2012)		Nasir
(2018)
Singles from Life Is Good
  1. 'Nasty'
    Released: August 9, 2011
  2. 'The Don'
    Released: April 3, 2012
  3. 'Daughters'
    Released: July 17, 2012
  4. 'Cherry Wine'
    Released: September 19, 2012

Life Is Good is the eleventh studio album by American rapper Nas. It was released on July 13, 2012, by Def Jam Recordings.

The album was recorded at various studios in New York and California, with guest appearances from rappers Large Professor and Rick Ross, and singers Mary J. Blige, Miguel, and Amy Winehouse, among others. No I.D. and Salaam Remi's production for the album incorporated orchestral elements and musical references to both contemporary and golden age hip hop, including boom bap beats and old schoolsamples. Nas wanted to draw on 1980s hip hop influences in order to complement the nostalgic tone of the lyrics.

With Life Is Good, the rapper wanted to vent personal feelings and address moments in his life and rapping career, lending it themes of adulthood and nostalgia. Its songs were written after his divorce from singer Kelis, whose original green wedding dress was featured in the cover photo. Nas later compared the album to the 1978 Marvin Gaye record Here, My Dear.

Life Is Good received widespread critical acclaim and debuted at number one on the American Billboard 200 chart. It also reached the top 10 of record charts in Canada, Switzerland, and the United Kingdom. The album was promoted with three singles—'Nasty', 'The Don', and 'Daughters'—five music videos, and Nas touring from June to December 2012. By February 10, 2013, Life Is Good had sold 354,000 copies, according to Nielsen SoundScan.

  • 6Track listing
  • 8Charts

Background[edit]

Nas' divorce from singer Kelis (photographed in 2010) inspired much of the album.

In 2010, Nas released his tenth studio album Distant Relatives, a collaboration with Damian Marley that reinvigorated the rapper creatively.[1] He soon became distracted by tax problems and an expensive, highly publicized divorce from his wife Kelis months before their son's birth, events that influenced his direction for Life Is Good.[2][3] His songwriting on the album was also influenced by adjusting back to life as a single man.[4] Nas also wanted to write more original subject matter rather than another album 'about how you came up in the hood and how you had to make it out of the hood'.[4] Although he did not find his album 'quite so much about the marriage or the divorce', Nas likened Life Is Good to Marvin Gaye's 1978 album Here, My Dear,[2] which was written by Gaye in response to his own deteriorating marriage and released as a financial settlement.[5] For Life Is Good's album cover, a photo was taken of Nas in a polished white suit, sitting in a night club's VIP lounge, appearing forlorn, and holding over his knee Kelis' actual green wedding dress,[2] which he said was the only item she left him.[5]

When writing the album, Nas also reflected on aging and maturation, fatherhood, and his 20-year experience in hip hop music.[2] Nas discussed the album's personal subject matter in an interview for Billboard:

“When I started working on the record, I tried to avoid it. The timing was just calling for me to not avoid all the shit that was going on out there. It was like a 10,000-ton gorilla in the room watching me. This is the way I got it off of my chest. This album talks about life, love and money. It talks about the fact that marriage is expensive. Life Is Good represents the most beautiful, dramatic and heavy moments in my life.[5]”

Recording and production[edit]

Recording sessions for the album took place at the following recording studios—4220 Studios, Conway Recording Studios, and EastWest Studios in Hollywood, Instrument Zoo Studios in Miami, Jungle City Studios and Oven Studios in New York City, Record One in Sherman Oaks, and Westlake Studios in Los Angeles.[6] Nas worked with several musicians, including Amy Winehouse, Mary J. Blige, James Poyser, Anthony Hamilton, Miguel, Large Professor, and Hal Ritson, among others.[7] For the album, Nas wanted the production to complement his lyrics' nostalgic themes with 1980s hip hop influences.[2] He primarily worked with hip hop producersNo I.D. and Salaam Remi, a frequent collaborator of Nas.[1] Remi said that he wanted his production 'to be something that a mumble-mouth rapper can't rap on. You better have something to say and be speaking up.'[1] Along with producer Swizz Beatz, No I.D. and Nas related to the latter's lyrics concerning divorce during the recording sessions.[5]

During the sessions, Nas recorded the song 'No Such Thing as White Jesus' with singer Frank Ocean and producer Hit Boy, who misplaced the track while sorting through music he had produced for Jay-Z and Kanye West's album Watch the Throne (2011). Although he later recovered it, the song was not included on Life Is Good.[8]

Music and lyrics[edit]

Life Is Good leaves Nas in his comfort zone, where the vital music of his youth proves a rousing platform for commenting on matters of middle age.

—Evan Rytlewski, The A.V. Club[9]

The album incorporates musical references to both older and contemporary hip hop.[10] Its production features live instrumentation,[11] orchestral music, R&B, and boom bap elements.[12] Music journalist Evan Rytlewski denotes 'boom-bap drums, lush keyboards, smooth saxophones, and the occasional Run-D.M.C. and MC Shan sample' to be 'tasteful accents' from golden age hip hop.[9] Ryan Hamm of Under the Radar views that Remi and No I.D.'s production 'lean[s] toward opulent and epic',[13] while Pitchfork's Jayson Greene writes that the latter's produced songs 'exude the warm TV-fireplace crackle of ... throwback production.'[14] Anupa Mistry of Now writes that 'boom bap classicists Salaam Remi and No I.D. weave a raw, funky, orchestral lattice customized for Nas's age-appropriate raps'.[15]

Life Is Good features nostalgic and adult themes,[12] including aging and maturity.[12] Nas' rapping is characterized by internal rhymes, a relaxed, plainspoken flow,[9] and transparent lyrics addressing moments in his life, including his youth and the personal events leading up to the album.[10] Erika Ramirez of Billboard observes 'stories of internal and external battles, some of which he won and some he lost.'[10] David Dennis of The Village Voice writes that his lyrics address hip hop's 'golden era' and 'the trials and tribulations of adult relationships'.[16] Brandon Soderberg from Spin asserts that his lyrics 'constantly remind nostalgics that the good ol' days were often chaotic and desperate'.[12]Slant Magazine's Manan Desai finds Nas' comparison of his album to Gaye's Here, My Dear apropos. 'Like Nas, Gaye was pushing 40 when he recorded his album', Desai wrote. 'He'd cemented his position as one of R&B's greatest, and yet, he never sounded more anguished about where all that fame was leading him. There's something similar going on throughout Life Is Good; the more we hear Nas repeat that titular refrain, the less convincing he sounds.'[3]AllMusic's David Jeffries said the lyrics about his divorce were 'unfiltered carpet bombing of love and marriage';[17] both Jeffries and Jason Birchmeier of Allmusic characterize the content as 'venomous'.[17][18] Conversely, Jon Dolan of Rolling Stone views that Nas 'cuts his rhymes with midlife realism and daring empathy'.[19] Ken Capobianco of The Boston Globe writes that the songs 'mix anger, nostalgia, and insight.'[11]

Nas tries to reconcile his growing distance from 'the streets',[9] while referencing his financial troubles, on the track.[20]
A modaljazz rap,[21][22] the song features wooly saxophone,[14] somber bass, and venomous lyrics.[23]
Problems playing these files? See media help.

On the opening track 'No Introduction', Nas reflects on his impoverished upbringing and maturation into a 'graphic, classic song composer'.[24] The song's subject matter ranges from lifestyle boats to revolutionary ideals: 'Hood forever, I just act like I’m civilized / Really what’s in my mind is organizing a billion Black muthafuckas / To take over JP and MorganGoldman and Sachs / And teach the world facts and give Saudi they oil back'.[20] 'Loco-Motive' has an underground vibe and keyboards similar to Nas' 1994 song 'N.Y. State of Mind'.[25] 'A Queens Story' has boom bap and classical elements in its production, including classical piano,[24] orchestral strings and funky drums.[3] Its lyrics pay homage to Nas' native Queens and his creative influences.[3] 'Accident Murderers' incorporates pipe organ in its production,[24] and its lyrics addresses senseless violence with a rags-to-riches narrative by Rick Ross.[10][19]

On 'Daughters', Nas is bewildered at the responsibilities of fatherhood, as he addresses his daughter's social networking activity and worries about his past undermining his parental authority.[9][14] Killian Fox of The Observer writes that Nas' observations on his ex-wife's 'hefty childcare payments' and his 18-year-old daughter 'dating unsuitable men' are resonated by his 'recollections of his early years as a Queensbridge hustler – just the kind of unsuitable young man he's warning his daughter about these days'.[26] 'Reach Out' features Mary J. Blige and incorporates the piano loop from Isaac Hayes' 1970 song 'Ike's Mood'.[10] Its lyrics address Nas' feeling displaced 'when you're too hood to be in the Hollywood circles, you're too rich to be in the hood that birthed you'.[4] 'You Wouldn't Understand' addresses life struggles and features a mellow production and neo soul influences.[10] 'Back When' has flickering production and mytholigizing lyrics by Nas: 'check out the oracle bred by city housing'.[14]

The up-tempo 'The Don' samples Super Cat's 1982 song 'Dance inna New York' and has a 1990s hip hop sound.[10][19] Its lyrics extol both Nas' rapping prowess and New York City.[10][19] According to No Ripcord's James McKenna, 'Stay' mixes soul and jazz elements, 'bringing to mind Low End Theory era A Tribe Called Quest and Tupac's Me Against the World, and lyrics 'questioning the line between love and hate'.[27] 'Cherry Wine' features vocals by Amy Winehouse and a narrative between ill-fated lovers.[3] The song was titled after Winehouse's guitar, which she called 'cherry'.[23] Jesal Padania of RapReviews cites it as 'quite possibly the best 'ladies number' that Nas has ever delivered, though it is infinitely classier than that label.'[23] On 'Bye Baby', Nas' lyrics address his ex-wife and recount their marriage in a narrative that follows the wedding, counseling sessions, marriage counseling, and the legal process of their divorce.[3][10]

Release and promotion[edit]

Life Is Good was released by Def Jam Recordings and was also his last album for the label.[28] It was first released on July 13, 2012, in Germany,[29] where it reached number 24 on the Media Control Charts.[30] In the United Kingdom, it debuted at number 8 on the Official Albums Chart,[31] on which it spent three weeks.[32] The album also debuted at number 2 in Canada and sold 5,700 copies in its first week there.[33] In the United States, the album debuted at number one on the Billboard 200 and sold 149,000 copies in its first week.[34] It was his sixth number-one album in the United States.[34] In its second week on the Billboard 200, the album sold 45,000 copies.[35] By February 10, 2013, the album had sold 354,000 copies, according to Nielsen SoundScan.[36] The album charted for 16 weeks on the Billboard 200.[37]

Good

The album was promoted by Nas' concert performances and television appearances on The Colbert Report, Late Show with David Letterman, Jimmy Kimmel Live!, and 106 & Park.[5] He headlined the Rock the Bells music festival and embarked on a three-week European tour during June and July 2012.[5] With singer Lauryn Hill, the rapper co-headlined the 'Life Is Good/Black Rage' tour from October 29 to December 31.[38] The tour finale was an exclusive show at Radio City Music Hall in New York City with Elle Varner as the supporting act.[39]

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Three singles were released in promotion of the album—'Nasty' on August 9, 2011, 'The Don' on April 3, 2012, and 'Daughters' on July 17.[40] A music video for 'Nasty' was filmed by director Jason Goldwatch in Queensbridge, Nas' hometown in New York,[41] and released virally on October 11, 2011.[42] A video for 'Daughters' was directed by Chris Robinson and premiered May 27 on MTV Jams.[43] Its storyline chronicles the relationship between Nas and his daughter through her point of view.[43] On April 27, Nas released the Aristotle-directed video for 'The Don', which featured lavish images of Nas' lifestyle.[44]

A video promoting 'Bye Baby' was released on August 20, 2012, featuring scenes of Nas in an empty home, at his divorce proceedings, and in a setting that revisits the cover image of Life Is Good.[45] It also featured singer Aaron Hall of Guy, whose 1988 song 'Goodbye Love' is sampled on 'Bye Baby'.[45] A video for 'Cherry Wine' was also released on October 2.[46] The video was dedicated to guest vocalist Amy Winehouse,[47] who is featured as a projection on a wall in the video's scenes.[46] On September 19, 'Cherry Wine' was sent to radio in the United Kingdom.[48]

Critical reception[edit]

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.8/10[49]
Metacritic81/100[50]
Review scores
SourceRating
AllMusic[17]
The A.V. ClubA−[9]
Financial Times[51]
The Independent[28]
NME8/10[52]
The Observer[26]
Pitchfork8.3/10[14]
Rolling Stone[19]
Spin7/10[12]
USA Today[53]

Life is Good was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 81, based on 30 reviews.[50] Aggregator AnyDecentMusic? gave the album 7.8 out of 10, based on their assessment of the critical consensus.[49]

Reviewing the album in NME, Kevin Perry called it 'a grimy, back-to-basics return to form',[52] while Pitchfork's Jayson Greene said Nas had 'settled gracefully into strengths'.[14] Evan Rytlewski of The A.V. Club deemed Nas' lyrics 'beautifully expressed' and the music just 'as thoughtful',[9] while Slant Magazine's Manan Desai believed the rapper sounded 'inspired' and praised the album's 'narrative unity' as 'a wide-angle look of the artist as a grown man.'[3] Ludovic Hunter-Tilney, arts critic for the Financial Times, said Nas draws on his 'insider-outsider perspective' as a successful rapper to create 'a richly varied album that goes from old-fashioned East Coast bangers to boldly worked orchestral and jazz samples, all held together by Nas’s fluent rap technique.'[51] In the opinion of Randall Roberts from the Los Angeles Times, the 'thoughtful, fierce, honest and – most important – heavy-duty work' showed 'Nas has gotten better at rolling with the punches – and you can hear it in every verse'.[54] Carl Chery from XXL hailed it as 'arguably Nas' best LP since Stillmatic' and proof that 'at this juncture—21 years and 10 solo albums in—no other MC has ever rhymed at such a high level this deep into their career.'[20]

Some reviewers were less enthusiastic. Robert Christgau gave Life Is Good a three-star honorable mention () in his capsule-review column for MSN Music, citing 'Daughters' and 'Accident Murderers' as highlights while deeming the record 'reflections of a bigshot who, as he mentions several times, is damn big'.[55]AllMusic's David Jeffries regarded the album as an inevitably 'puff-chested bitch session', 'acting as a clearing house for all venom and bile, plus some gloss that doesn't fit but needed to go as well.'[17] According to New York Times critic Jon Caramanica, the narratives were 'sometimes distractingly fanciful' and Nas' lyrics occasionally 'overstuffed', even though the record possessed 'a simulacrum of the sound that made him legendary'.[56] Matthew Fiander from PopMatters was more critical, finding the production 'uneven' and calculated 'as product', with 'half-done ideas'.[57]

At the end of 2012, Life Is Good appeared on several critics' top album lists. It was named the best album of 2012 by The Source and Okayplayer.[58] The album was also ranked number 18 by Rolling Stone,[59] number 12 by Complex,[60] number 16 by James Montgomery of MTV,[61] number six by Martin Caballero of The Boston Globe, and number seven by Jon Caramanica of The New York Times.[58]Life Is Good received a Grammy Award nomination in the category of Best Rap Album for the 2013 Grammy Awards.[62] It was also nominated for Album of the Year at the 2013 BET Hip Hop Awards, while 'Daughters' won the Impact Track award at the 2012 BET Hip Hop Awards.[63]

Track listing[edit]

Life Is Good Free Album Download Download

Credits are adapted from the album's booklet.[64]

No.TitleWriter(s)Producer(s)Length
1.'No Introduction'J.U.S.T.I.C.E. League4:15
2.'Loco-Motive' (featuring Large Professor)
  • Jones
No I.D.3:40
3.'A Queens Story'Remi4:35
4.'Accident Murderers' (featuring Rick Ross)
  • Jones
  • Wilson
  • Norman Solomon
No I.D.4:37
5.'Daughters'
  • Jones
  • Wilson
  • Dale Frashuer
No I.D.3:20
6.'Reach Out' (featuring Mary J. Blige)
  • Jones
  • Dante Franklin
  • Remi
  • Christine Perren
  • Richard Wyatt
3:46
7.'World's an Addiction' (featuring Anthony Hamilton)
  • Jones
  • Remi
Remi5:01
8.'Summer on Smash' (featuring Miguel and Swizz Beatz)Swizz Beatz4:19
9.'You Wouldn't Understand' (featuring Victoria Monet)
  • Jones
  • Michael Claxton
  • Victoria McCants
Buckwild4:35
10.'Back When'
  • Jones
  • Wilson
  • Barry Forgie
  • Williams
  • DeGarmo
No I.D.3:22
11.'The Don'
  • Jones
  • Remi
  • Marcos Palacios
  • Earnest Clark
3:02
12.'Stay'
  • Jones
  • Wilson
No I.D.3:45
13.'Cherry Wine' (featuring Amy Winehouse)Remi5:56
14.'Bye Baby'
  • Jones
  • Remi
  • Tim Gatling
  • Gene Griffin
3:59
Total length:58:12
Deluxe edition bonus tracks
No.TitleWriter(s)Producer(s)Length
15.'Nasty'
  • Jones
  • Remi
Remi3:04
16.'The Black Bond'Remi2:22
17.'Roses'
  • Jones
  • Sean Fenton
3:31
18.'Where's the Love' (featuring Cocaine 80s)
  • Jones
  • Wilson
No I.D.4:28
Total length:71:37
iTunes bonus track
No.TitleWriter(s)Producer(s)Length
19.'Trust'
  • Jones
  • Jamal Sublett
4:34
Japan bonus track
No.TitleWriter(s)Producer(s)Length
20.'The Don' (Don Dada Remix)Jones
  • Salaam Remi
  • Heavy D
4:09

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Sample credits[edit]

  • 'No Introduction' contains samples of 'Don't Cry' by Kirk Franklin.[65]
  • 'A Queens Story' contains samples of 'Peter Piper' by Run–D.M.C. and 'Queen's Story' by Salaam Remi.[7]
  • 'Accident Murderers' contains samples of 'They Said It Couldn't Be Done' by Norman Feels and 'The Bridge' by MC Shan.[7]
  • 'Daughters' contains samples of 'Dust to Dust' by Cloud One and 'Na Na Hey Hey Kiss Him Goodbye' by Wayne McGhie and the Sounds of Joy.[7]
  • 'Reach Out' contains samples of 'Ike's Mood' by Isaac Hayes and an interpolation of 'Once in a Lifetime Groove' by New Edition.[7]
  • 'World's an Addiction' contains a sample of 'The World' by Salaam Remi.[7]
  • 'You Wouldn't Understand' contains samples of 'Let's Start Love Over Again' by Miles Jaye and 'Eric B. Is President' by Eric B. & Rakim.[7]
  • 'Back When' contains samples of 'Double Agent Jones' by Barry Moore Combo, 'Live Routine' by MC Shan, and 'The Bridge' by MC Shan.[7]
  • 'The Don' contains elements of 'Dance inna New York' by Super Cat.[7]
  • 'Stay' contains samples of 'Seven Steps to Nowhere' by L.A. Carnival.[7]
  • 'Bye Baby' contains samples of 'Goodbye Love' by Guy.[7]
  • 'The Black Bond' contains samples of 'Praguenosis' by Salaam Remi.[7]
  • 'Where's the Love' contains samples of 'Brooklyn-Queens' by 3rd Bass.[7]

Personnel[edit]

Credits are adapted from the album's liner notes.[7]

  • John Adams – Fender Rhodes
  • Richard Adlam – drums
  • Ian Allen – music business affairs
  • Angel Onhel Aponte – engineer
  • Chris Atlas – marketing
  • Mary J. Blige – featured artist
  • Del Bowers – mixing assistant
  • Leesa D. Brunson – A&R
  • Buckwild – producer
  • Brandon N. Caddell – assistant engineer
  • Matt Champlin – engineer
  • Da Internz – arranger, producer
  • Tim Davies – string arrangements
  • Vol S. Davis III – music business affairs
  • Gleyder 'Gee' Disla – engineer, mixing
  • DJ Hot Day – scratching
  • Chloe Flower – piano
  • Kaye Fox – vocals
  • Chris Galland – mixing assistant
  • Chris Gehringer – mastering
  • Alex Haldi – art direction, design
  • Anthony Hamilton – composer, featured artist
  • Maestro Harrell – keyboards
  • Heavy D – arranger, producer
  • Vincent Henry – alto saxophone, clarinet, flute, tenor saxophone
  • Jaycen Joshua – mixing
  • Terese Joseph – A&R
  • J.U.S.T.I.C.E. League – producer
  • Rich Keller – mixing
  • Rob Kinelski – engineer, mixing
  • Karen Kwak – A&R
  • Large Professor – featured artist
  • Sam Lewis – assistant engineer
  • Fabienne Leys – A&R
  • Tai Linzie – photo coordination
  • Omar Loya – assistant engineer
  • Kim Lumpkin – production coordination
  • Deborah Mannis-Gardner – sample clearance
  • Scott Marcus – A&R
  • Manny Marroquin – mixing
  • Miguel – featured artist
  • Victoria Monet – featured artist
  • Greg Morgan – sound design
  • Vernon Mungo – engineer
  • Nas – primary artist
  • No I.D. – producer
  • Gary Noble – engineer, mixing
  • Keith Parry – assistant, assistant engineer
  • James Poyser – keyboards
  • Kevin Randolph – keyboards
  • Red Alert – vocals
  • Salaam Remi – arranger, bass, composer, drums, guitar, keyboards, producer, scratching
  • Hal Ritson – drums
  • Rick Ross – featured artist
  • Matthew Salacuse – photography
  • Michael Seltzer – music business affairs
  • Noah '40' Shebib – arranger, drums, keyboards, mixing, producer
  • Hannah Sidibe – vocals
  • Brian Sumner – engineer
  • Brian Sutnick – marketing
  • Swizz Beatz – featured artist, producer
  • Gabe Tesoriero – publicity
  • Antoinette Trotman – music business affairs
  • Meredith Truax – photo coordination
  • Anna Ugarte – assistant, assistant engineer, mixing assistant
  • Cara Walker – package production
  • Matt Weber – assistant
  • Stuart White – engineer
  • Amy Winehouse – featured artist, guitar
  • Steve Wyreman – bass, guitar
  • Tyler Yamashita – assistant engineer
  • Andrew Zaeh – photography
  • Gabriel Zardes – A&R, assistant, assistant engineer

Life Is Good Free Album Download

Charts[edit]

Weekly charts[edit]

Chart (2012)Peak
position
American Albums Chart[37]1
American R&B/Hip-Hop Albums Chart[37]1
American Rap Albums Chart[37]1
Australian Albums Chart[66]27
Belgian Albums Chart (Flanders)[66]44
Belgian Albums Chart (Wallonia)[66]72
British Albums Chart[32]8
British R&B Albums Chart[67]2
Canadian Albums Chart[37]2
Danish Albums Chart[66]24
Dutch Albums Chart[66]27
French Albums Chart[66]33
German Albums Chart[30]24
Irish Albums Chart[68]55
Japanese Albums Chart[69]47
New Zealand Albums Chart[66]38
Norwegian Albums Chart[66]16
Swiss Albums Chart[66]8

Year-end charts[edit]

Chart (2012)Position
American Albums Chart[70]90
American R&B/Hip-Hop Albums Chart[70]17
American Rap Albums Chart[70]11
Chart (2013)Position
American R&B/Hip-Hop Albums Chart[71]82

Life Is Good Free Shipping

Release history[edit]

RegionDateLabel
Germany[29]July 13, 2012Def Jam Recordings
United Kingdom[57]July 16, 2012
United States[57]July 17, 2012

See also[edit]

References[edit]

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External links[edit]

  • Life Is Good at Discogs (list of releases)
  • Life Is Good at MusicBrainz (list of releases)
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